History or Mystery

In my files I have a dozen stories waiting to be completed. Stories range from the 18th century through the 25th century and I have often pondered what they all have in common. I've been told, as a writer, that I must choose a genre and stick to it! Otherwise you are starting over with your reader base with each new book. The fact that my current reader base is quite small, I am not too concerned. But I must hone my skills.

The next dilemma is that writers must read. So, I consider my reading tastes. Again a huge range of time periods and and genres.

Whatever am I to do?

Every now and then I think--what would happen if I combined the things I love to write? A modern novel with a historical/suspenseful twist. Hmmm.

Time for a little research.

The Trouble With Book Reviews

Book reviews are difficult. I want to say nice things about the author. I want to say it is a great read. But that is not always the case.

It is summer, which means I get to read whatever I want right now. Currently, I am reading an old historical romance and a new mystery/suspense published by Multnomah. Two very incompatible reads.

The mystery/suspense utilizes concise action driven writing. The historical over uses passive construction and shifts point of view randomly, but I have read dozens of books with these problems and can overlook this. This type of structure is typical for the genre and for books written during that era. The newer book has plot holes and contradictions within the story. Which is worse?

Either way, it is hard to read! I am line editing everything. But really it gives me hope. The stories are still getting out there. The books are still getting published. Books are still being read.

Hopefully in a few days I will have a new book review. Two if I can get through the non-fiction I just received. As for the historical romance--I have no room to dis on Johanna Lindsay. However, I will have to pick up the newest novel to see what she has learned in the past thirty years and forty plus books.

God's Provision

If I had to choose one word to describe the first book in The Good Earth series, perhaps it would be provision. Of course that is a theme in most every life, but for my characters Bethrina and Kjell, God's provision is phenomenal.

It is interesting how God chooses to provide sometimes. Many people call it a miracle. Others simply call it life. I know in my own life God has provided some pretty amazing things. The problem, as I often see it, is timing.

My novel begins with a young woman who has experienced little or no caring in her formative years. She is longing for a home of her own and someone to love her. What she does not realize is that the Lord is waiting with open arms. Not until she is forced away from the life she knows does she let go enough to experience God's extraordinary provision.

Bethrina suffers from a bit of the same problem I do. Timing. God's timing is not her timing. She has hopes and dreams and when things do not go as she planned she assumes God must not love her. As I write her story I lead her down that path, which I know God has sent me on a time or two. I help her--one day at a time--learn her own worth in the kingdom.

Therein lies the key. One day at a time. If we live one day at a time, we will all see the blessing of God's provision. The hope that we have is in Him. He is our all in all.

A Tendering in the Storm

I am currently reading Jane Kirkpatrick's A Tendering in the Storm. The story is written from the perspectives of two main characters: Emma Giesy and Loisa Keil.

Originally part of the same close-knit religious community, these two German women have traveled across the rugged Oregon trail arriving in the Northwest in the mid 1850's. But their paths have taken them in different directions. [Read A Clearing in the Wild, book one in the Change and Cherish series, to find out what divides the flock.]

Louisa and her husband, leader of the community, continue on to settle in the Aurora Mills area, near present day Portland, Oregon. Louisa is struggling to put the death of her son into the context of her life. He lives on in her, and she now seeks to understand what sin she committed to warrant his death. Her very nature is absolute submission to her husband.

Emma Giesy, remains in Willapa--Washington territory--with her husband and small family. She desires the freedom to speak her mind, explore the wisdom she feels brimming inside and to live independently, at least a little, from the religious family that surrounds her. She dares to believe women are more than quiet servants to their men, and hopes that they may even be equal in the eyes of the Lord.

The novel is based on a true story; filled with historical detail and vivid true-to-life characters. The women come alive, as you walk alongside their exploration of fear, vulnerability and strength. Mrs. Kirkpatrick weaves the natural beauty and spirit of the Northwest into every chapter. Words and images (oystering, the ocean, the swaying lantern to name a few) are chosen with a deftness that conveys the import of the landscape on the lives of these women.

Emma Giesy explains about the inner strength of a woman: "It's something I've learned about myself since coming here. What we can do on the inside isn't always reflected by what's on the outside."

"Sounds like an oyster shell..." Her friend Mary replied.

As I continue to read, I expect that we will see more of what Emma, and Louisa for that matter, are really made of--on the inside.


Jane Kirkpatrick is the best-selling author of two nonfiction books and twelve historical novels, including A Clearing in the Wild and the acclaimed Kinship and Courage series. Her award-winning essays and articles have appeared in more than fifty publications, including Daily Guideposts and Decision. A winner of the coveted Western Heritage Wrangler Award, Jane is a licensed clinical social worker as well as an internationally recognized speaker and inspirational retreat leader. She and her husband, Jerry, ranch 160 acres in eastern Oregon.